 Robots
  on DVD
Robots
  on DVD 
            20th Century Fox’s animation studio was shut down because
                it made a great movie that wasn’t marketed properly in
                Titan A.E.
              Now, 20th Century Fox has a new animation studio, one that seems
                to care less about making great movies and more about just being
                in the CGI race.
              From the creators of Ice Age (a mediocre movie at best) comes
                Robots, a movie seemingly put together entirely by producers.
                It follows the story of Rodney Copperbottom (Ewan McGregor),
                a “young” robot inventor who has dreams of making
                it big with Big Weld (Mel Brooks), the so-called “greatest
                robot in the world.”
              So he leaves his family and heads to the big city, and quickly
                meets Fender (Robin Williams) who shows him the ropes and unwittingly
                introduces him to his band of misfits.
               Unfortunately, as Rodney
                soon discovers, Big Weld is MIA and has been replaced by Ratchet
                (Greg Kinnear), a nasty robot who doesn’t have the same
                affection for lesser robots that Big Weld does. Naturally, Rodney
                and his misfit buddies must join forces and overthrow the bad
                guys in order to save Rodney’s father (and thousands of
                other robots) from becoming obsolete.
              While not completely unenjoyable, Robots has problems aplenty.
                The script features nary a laugh, chock full of jokes even kids
                might not find amusing. The story and characters are as formulaic
                as it gets, and in fact, we couldn’t help but notice that
                Robots is, in many ways, the exact same movie as Shark Tale (which
                was, in many ways, the exact same movie as Shrek). Little things
                also plague the film, such as the romance between Rodney and
                Cappy just sort of happening, rather than developing (and we
                certainly don’t buy it). And animated films were more fun
                when they didn’t focus on the voice talent. One of the
                things we liked about Disney movies was trying to figure out
                who was behind the character (and it was a lot better when they
                used actors, rather than stars). In Robots, pretty much anybody
                who contributes a voice gets a name in the credits (for example,
                Jay Leno has two lines for a total of about seven words, and
                he gets a credit at the beginning).
              Certain things about Robots are fun, such as the robot equivalent
                of a freeway, and that one robot who does the robot is hi-larious.
                Credit must also be given to Greg Kinnear, who seems to be having
                a great time voicing his character. It’s hard, on the other
                hand, for Robin Williams to be Robin Williams with material such
                as this backing him up. Robots is no Aladdin.
              If you’re looking for a prime example of the fact that
                studios and producers are having way too much input over the
                final film products these days, watch Robots. Despite the fact
                that (director) Chris Wedge would like you to believe he’s
                wanted to tell this story for years, we see no evidence to support
                that theory. It’s not a terrible movie, but it’s
                a complete write-off at best.
              The DVD presentation of the film is both excellent and pretty
                lame. Presented in 1.85:1 anamorphic widescreen (a Pan&Scan version
                is available separately), the picture quality is superb, with
                rich colors and excellent detail.
                The
                CGI backgrounds are glorious, and there are no traces of foreign
                objects anywhere to be found. Audio is also excellent, with a
                fair number of surrounds and spectacular clarity.
              Director Chris Wedge and producer/production designer William
                Joyce provide an audio commentary, which is surprisingly bland
                for such a colorful movie. They talk about the history of the
                project, casting, blah, blah, blah and other stuff. There’s
                another, slightly more interesting commentary by the visual effects
                team, but probably only more interesting if you’re as big
                a nerd as we are. The deleted scenes, which come in various states
                of completion, can be played with or without commentary by Wedge.
                None of the scenes are bad, but none are necessary.
              The “Original Robots Test” is a two-minute short
                that was made before any ideas were thrown around for the film
                itself. It’s not really anything in particular, just a
                sample for the studio. “You Can Shine No Matter What You’re
                Made Of” is nearly 20-minutes of interviews and behind-the-scenes
                footage that is actually quite interesting. “Blue Man Group” is
                a short featurette on how the Blue Man Group helped with the
                score. There are also some interactive robot profiles, an X-Box
                game demo, some interactive games, and “Aunt Fanny’s
                Tour of Booty,” an animated short that is less entertaining
                than the film, and completely superfluous.
              Robots, from 20th Century Fox Home Entertainment
                89 minutes, anamorphic widescreen (1.85:1) 16x9 enhanced, Dolby
                  Digital & dts 5.1
                Starring Ewan McGregor, Halle Berry, Greg Kinnear, Mel Brooks
                and Robin Williams
                Produced by Jerry Davis, John C. Donkin, William Joyce
                Screenplay by David Lindsay-Abaire and Lowell Ganz & Babaloo
                Mandel
                Directed by Chris Wedge
              
          
              
              
        
		  		     
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