 
			 White Noise on DVD
			 If you live in the movie world and your life is perfect, you have
				to know something will come along and put an end to the happiness.
 
			 Such is the case in White Noise. Jonathan Rivers (Michael Keaton)
				is an architect with a beautiful new wife, a big house, and a massive grin on
				his face all the time. But when his wife disappears mysteriously, he is
				understandably broken up (although we barely ever actually see him so, the
				point comes across).
 
			 Then a few weird things start happening. Random knocks on the door
				in the middle of the night, radios turning themselves on and emitting nothing
				but really loud static, strange men following him around, and other typical
				thriller movie stuff.
 
			 Upon approaching the strange man, the man tells Jonathan that he
				is an EVP (Electronic Voice Phenomenon) nut. EVP, according to the film, allows
				deceased folks to make contact with their loved ones via white noise. The man
				has an entire room filled with equipment with which to decipher the voices, but
				he meets an unfortunate end, after which Jonathan decides to take over. He
				cant help but feel his wife is trying to tell him something, and refuses
				to rest until he figures it out.
 
			 This film requires its lead actor to do nothing but sit at a desk
				and look at computer/TV screens for extended periods of time - a challenge to
				one's thespian skills. And, after a far-too-lengthy absence from the Hollywood
				A-list, Michael Keaton took the job as that actor. Few people could pull off
				such a difficult role with such ease, but the ex-Batman manages to somehow pull
				us along through the relatively uninteresting scenes and make us believe in his
				cause.
 
			 But other than Mr. Keaton and a couple of pretty good jumpy
				moments, White Noise just never really makes it. It has the atmosphere just
				right, but the plot is too shallow and never really explained sufficiently, and
				the ending is extremely unsatisfying. Plus, too much of the movie has
				characters just sitting and staring at screens with nothing actually happening,
				so you cant help but begin to check your watch at a certain point.
 
			 White Noise has a couple of good scares, but as far as horror
				movies go, you can do much better. Although its almost worth it to see
				Michael Keaton working again.
 
			 Almost.
 
			 On DVD, the movie is presented in 1.78:1 anamorphic widescreen and
				Dolby Digital 5.1. Picture looks pretty good, with no dust or grain or halos on
				the actors. A lot of shots have us looking at white noise to see the
				ghosts or whatnot, and we almost never have trouble figuring out
				what it is were looking at. The detail in such shots is very well done.
				Audio is typical of such a film, only using the surrounds to occasionally make
				us jump out of our seats. Except that White Noise takes it to the next level:
				it shuts down all the speakers to build tension, and then all five of them
				spring to life with such intensity that it can actually be annoying.
 
			 Director Geoffrey Sax and Michael Keaton provide an audio
				commentary, and while its not the best ever recorded, its nice to
				hear what Keaton thinks about his first mainstream movie in too long. We learn
				a bit about the background of EVP, and Keaton talks about the difficulties of
				not overacting in such a film.
 
			 Three featurettes examine the real-life phenomenon of Electronic
				Voice Phenomenon. Some EVP experts take us to some supposedly haunted locations
				and record some white noise in the supposedly haunted rooms. When the
				recordings are played back, they point out the ghostly voices that
				clearly say things like hello or get out of my
				house, but that we noticed could also have been mistaken for complete
				gibberish. It also gives us a lesson in how to record our own white noise,
				which may be beneficial for scaring people whove seen the film.
 
			 White Noise, from Columbia Tristar Home Entertainment
 98
				minutes, anamorphic widescreen (1.78:1) 16x9 enhanced, Dolby Digital 5.1
				Starring Michael Keaton, Deborah Kara Unger, Chandra West and Ian McNeice
				Produced by Paul Brooks, Shawn Williamson
 Written by Niall Johnson,
				directed by Geoffrey Sax
 
       
              
              
        
		  		     
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